David V Nguyen, B.S. . . . . . . . Dance Instruction

ItTakesTwo@gmail.com . . . 858-531-8436
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Blues Dancing

 

Mission Statement - With discovering such a wonderful dance style hidden away in San Diego, I wish to present to San Diego a form of dance that is in itself a combination of all dance forms yet incorporates none of the requirements. A very unique dance form in itself and if you have every danced before, you will find a bit of yourself in the Blues Dancing.


 

 

 

 

 

 

 

 

 

Blues Venues

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Blues History
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Monthly Venues for Blues Dancing in San Diego

 
1. 1st and 2nd Friday of the Month 
            Blue Bella @ Ciao Bella
            5263 Baltimore Drive
            La Mesa, CA 91942
           http://bluebellasd.com/
            
2. 4th Saturdays of the Month **NEW UPCOMING
            Pattie Wells' Dancetime Center
            1255 West Morena Blvd.
            San Diego, CA 92110
           http://www.dancetime.com
 
3. Wednesdays @ Queen Bee Arts and Cultural Center
              3925 Ohio Street
              San Diego, CA 92104
   **EXCEPTION January 2011 will be on 29th NOT 22nd.

 

History of Blues

 

Like blues music, blues dancing finds its origins in African rhythm and movement. It emerged from 19th century dances like the Cake Walk, which was one of the earliest combinations of European and African dance traditions, just as blues music emerged from work-songs and gospel music, which were a combination of African and European musical traditions.

Early blues dances were very simple and open to musical interpretation. They were often a simple one-step or two-step and never became a focus for popular culture the way that dances like lindy hop and Charleston did. As a result, blues dance has retained the intimacy from it's early days and continues to focus on the interaction between dance partners, whereas the more popular dances often became quite showy and more focused, to a degree, on the spectators. While lindy hop and Charleston were seen in the most prestigious ballrooms and night-clubs of the era, blues dancing remained the purview of the house party, the Juke Joint, and the smoky little hole in the wall bar.

Because the spectrum of blues music is so large, there are many different interpretations and styles of traditional blues dance. "The Gut Bucket," "The Fish Tail," "Jookin' "and "The Slow Drag" are only a few of the dances that history passes down to us with this wide variety of music. Unfortunately, the history of these dances is incomplete. We do not have the vast archive of film and writing, along with the living archive of the dancers from the era, that the more popular dances of the day, like lindy hop, produced. As a result, blues dance today incorporates those historical elements we do have with more modern elements of dance, but keeps the focus on the music and your partner.

This focus has given some the impression that a successful blues dance must be both sensual and intense. However, anyone who has listened to a fair amount of blues music will have heard songs that are lonely, longing, sad, angry, and joyful, as well as songs that are loving, lustful, and bawdy. Blues music is about common experiences. It is a sharing of human conditions that everyone can access on some level, and should include the spectrum of human emotions.

(Thanks to Ogden and Amanda from Boston for this description)